January 15th, 2023, 1:32 pm
David McGown wrote:Pete,
Funny about the radio on your phonostage. You might get a different station if you change the cartridge loading.
I read a suggestion about using clamp-on ferrite beads on the tonearm cable at the input to the preamp. I tried it, and it seems to reduce the volume of the rectified RF.
If you would like the Kitsune back, let me know. I am tied up tomorrow afternoon, but could drop it by tomorrow evening or Monday if you are home. Really appreciate the loan, but I have to admit I have been tweeking my PassDIY Pearl 2 to get the best sound out of it. Did an output cap change (Wayne Colburn used a 22uF/50V Silmic bypassed with a 0.1uF PP (Wima or similar). I swapped in a 10uF/50V Wima MKS (Mylar) bypassed with a 0.1uF Wima polycarbonate and a 0.01uF Vishay 1837 PP (too tight for a teflon). Nicer sounding than the eCap.
David
January 15th, 2023, 4:57 pm
January 16th, 2023, 8:41 am
David McGown wrote:Pete,
I can stop by tomorrow night, if that is OK. What time is good for you? You can reply via text or PM if you want.
Grounding is probably the main issue, need to find (create) a low impedance path to ground for RF. Of course, not much control one can have with a commercial product.
David
January 16th, 2023, 9:49 am
TubeDriver wrote:I should be around from the later afternoon on (3ish onwards). Just text me before you head over.
January 16th, 2023, 1:30 pm
David McGown wrote:
I picked up the Wayne's BA 2018 board and parts kit from the DIYAudioStore and finally built. Wayne Colburn, for those you do not know, is the preamp designer at Pass Labs. This was just a throwaway project to the DIY community, as both Wayne and Nelson Pass is prone to do. It is a DC coupled discrete opamp design, with JFET input (using Toshiba 2SK208 SMT JFETs), and BJTs for current sources and output stage. Just completed the build a couple days ago and it is breaking in on the system. It is possible to adjust the gain via the feedback resistor, the default is 3.7 with a 10K resistor, but I have set it at around 2.5 using a 22K resistor to better fit in with my overall gain structure (been using passive attenuators for years, all my amps have enough front end gain). I find the clarity and transparency to be better than my recent 12SN7 Aikido linestage, and the drive and control that the active gain stage results in my tube amplifiers sounding more solid and powerful. The problem I have found with passives is often a slight thinness or lack of body, although they can be very transparent. The new linestage is absolutely quiet and very detailed sounding, with an expansive soundstage and a hint of warmth (but not so much as to be a coloration).
January 16th, 2023, 2:21 pm
cport wrote:Hello David:
Could your share/post your specific BOM that you used? Some of your parts and chassis look neat.